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Woodbury Animation Alumna Turned Production Assistant at Cartoon Network

Hannah Garcia, Woodbury Animation Alumna (19), was ecstatic to land her first job as a production assistant at Cartoon Network just aڱdays before her graduation day.In her early year,Hannah didn’tthinkshe could pursue a fulfilling career辱Բcreatthe animated cartoons she loved watching whilegrowing up.An artist at heart, she shares her journey torealizing her dreamthe followingin-depth interview.

How did you first get interested in animation?

I have always been interested in art, starting with my art classes in elementary school to AP Art in high school. I also grew up watching a lot of cartoons but never thought of it as an artistic career. Frankly, I thought I would have to be someone who sold their paintings on the side of the street to have an art career. Luckily, my uncle was abackgroundlayoutartist for Cartoon Network at the time andserved as amentor. He taught mbasic skills used in animation,exposed me to the animation industry with studio tours, and introduced me tohisfriends in the industry. This experienceshowed me thatanimationcould bean amazingcareerpath.

How did you happen to select Woodbury?

I came across Woodbury while researching design schools with animation programs.Ialsowas looking atseveralotherprospective art schools,butthere were a ڱthingsthat drew mtoWoodbury.The main draw was Woodbury’s small campus. I grew up attending private schoolsonsmaller campuses, so having a campus that wassimilar scale made me more comfortable. IalsovaluedWoodbury’ssmall class sizes, whichgavememore one-on-one mentoring time with my professors.Another majorinfluence was Woodbury’slocationin the heart of all the major animation studios,whichproved tobahugeadvantagfor internshipsand job opportunities.

What is your favorite part about animation?

My favorite part of animation isthe visual development part ofaproject. It’s fascinating to see all the research and ideas that go into every design, as well as all the possibilitiesthedesigncould have been. I also enjoy the color design in animation. I lovplaying with colorsto portray different emotionsandthemes, andseeinghow itbring things to life.

Tell us about your senior thesis and what it meant to you?

My senior thesis,Taylor the Latte Boy:The Animated Musical Spectacular,whichI made withAndrewArcilla,fellowWoodbury animation graduate(’19)who currently works at DreamWorks Animation as a production assistant,was based off a songcreatedby twoBroadway composers.The song is essentially about a girl who is in love with her local Starbucks barista. Our film takes you on a journey through her crazy, over the top, coffeefilled fantasy about Taylor, thlattboy. As the design lead,I pushed my artistic boundaries and discovered what I was capable of achieving.We usedseveraldifferent mediums throughout the film: 2D and 3D backgrounds, puppet animation,hand drawn animation,VFX, and even live action puppets, while mixingamazing vocalsandalive orchestra. This film isone of the greatest projects I’ve worked on, and I’m immensely proud of it.

What awards has it won and which are you the most proud of?

Taylor the Latte Boy: The Animated Musical Spectacularhas been selected forseveralfilm festivals, includingthShenandoah Seasonal Film Series;thQueen Palm International Film Festival(honorablmention);thHollywood International Moving Pictures Film Festival(semi-finalist);KCET’sFine CutFestival of Films (semifinalist);andthTop Shortsawards (Best Animation).

I’m very proudthat ourfilmwasrecognized by allof thesprofessional organizations.It’sextremelyvalidatingto backnowledgedby industry peerswho havfar more experience.

 

Can you tell us about your internship(s) while at Woodbury? What were your responsibilities?

While atWoodbury, I had internships at Cartoon Network during my junior and senior years. The spring semestersofbothmyjunior and senioryears werextremely busy times, as I workedon my theses whileinterning.Jugglingall my responsibilitieshelpedhone mytime managementskills and develop a stronger work ethic.

As an intern at Cartoon Network, I assistedthe production teamon all kinds of projects,liketyping the dialogue script, entering page and scene numbers into their database and entering design data for episodes. Shadowing the production teamreally prepared me for my current role as aproduction assistant. Igainedvaluablexperience usingFileMaker Proandmore familiar applications,like Photoshop for production tasks.

Cartoon Networks internship programalsoprovided manylearningopportunities. I was invited to “artist talks” throughout the studio andcreatedmy own ‘pitch bibleto presentto the studio. I alsoparticipatedin the studio’s art galleryfor both years andpresented my senior film to my show’s crew members. It was a great way to show industry professionals my art skills and practice public speaking in this environment.The relationships I built during my internships have definitely helped in both my personal and professional career.

I understand you were a really fast learner in both 2D and 3D animation production. How did that experience help you in your internships and current job?

The learning experience made mmore efficient inhandlingthe different tasks within production.Therareseveralmoving parts that happen within production that I never knew about before, especially as an intern. Having astrongunderstandingof 2D and 3Danimationdefinitely gave me a solid foundation to build on. WhenIstartedmy jobatproduction assistant job atCartoon Network,the transitionwasmucheasiersince I was prepared.

How did your job at Cartoon Network come about? What is your role/responsibilities?

While I was interning at CartoonNetwork, I had a close relationship with my production team.Toward the end of my internship, I talked to my producer about opportunities to become aproduction assistant. She reached out to other producers and within a few minutes I had booked interviews for the nexttwoweeks.This led to my interview with the showClose Enough,and booking my firstproductionassistant job a few days before graduation!

My role as an intern really prepared me for the tasks I doas aproduction assistant. On any given day these tasks might include,being in charge of timecards, setting up events for the crew, entering page and scene numbers intoFileMakerPro, and finding designs for episodes. Ialsoget toworkvery closely with threcordcoordinator, productioncoordinatorsand art director.I love that I continue to grow in my role on all levels,andI’mcurrentlybringingthese enhanced skills to my current show,Adventure Time: Distant Lands.

Who, if anyone, at Woodbury served as a mentor?

It’s hard to narrow down one mentorfromWoodbury.Every professor taught me skills that made me a better artist andprepared me toenter the animation industry. They made my time at Woodbury worthwhile and I am very thankful for everything I learned.

Is there anyone in animation whose work you particularly admire?

I truly admire the work of indie animation artists. I come across new artists throughTwitter orYouTube,and it never ceases to amaze me how much talent is out there, outside of TV and feature animation. I love seeing the different styles and content thatarso innovativeand unique. They inspire me to continue my individual artistic journey outside of TV production.

Are there any animated films that stand out to you?

My current favorite animated film is Sony Animation StudiosSpiderman: Into the Spider-Verse.Its innovationis amazing, especially how they made a hybrid of 3D and 2Danimationblendsoseamlessly. From the graphic texture mapping,to thhand drawnEFX, to the intentional varying frame rate of each character, Sony created a style thatopens up more possibilities of what can be done in animation.

What are your short-term and longer-term career objectives?

Being an artist is very exciting with all the different things you can do, especially in the animation industry. My short term goal is to continue to grow in my job and become a production coordinator. So far, I have worked on both adult and children’s animation series, and have loved working in these two genres. But one of my biggest dreams is to work on a pre-school show since I grew up in a home daycare and experienced the great impact these shows have on pre-school aged children.

In the long term, it would be great to produce a preschool show, but I’d also like to create art on the side. I’m not quite sure what this might look like, but it could be working on children’s books as an illustrator, having my own art business or even becoming an art director at some point. While I really enjoy production and where it is taking me, it’s very important that I keep designing and being creative throughout my career.

What advice would you give current/future animation students?

I’d tell themto have a balanced life with school and outside activities. Go outside, plan a trip for a day or for a weekend, make time for friends and family, exercise,andexplore new places in your neighborhood. I think it’s very important to work hard at your craft,but also take a breakwhen needed. Burnout is very real,butitcan bavoidedwith the right schedule.Taketime foryourself…itmight evenspark inspiration and even morcreativity!

 

Last Updated on August 28, 2020